1I
C
Tonic

Home base — the key center

Tendency: Resolution point
2II
D
Supertonic

One step above the tonic

Tendency: Tends toward V or vii°
3III
E
Mediant

Halfway between tonic and dominant

Tendency: Defines major/minor quality
4IV
F
Subdominant

The "other" important chord

Tendency: Moves to V or I
5V
G
Dominant

Creates tension that wants to resolve

Tendency: Strongest pull toward I
6VI
A
Submediant

Halfway between tonic and subdominant

Tendency: Deceptive cadence target
7VII
B
Leading Tone

Half step below tonic

Tendency: Pulls strongly upward to I